Originally written for The Children's Aid Society Chorus of New York City, this e.e. cummings text lends itself so nicely to the pure sound of treble voices and explores the idea of transformative innocence – that no state of being is so dark...
Written for the 20th anniversary of the CME Institute, A Living Song serves to honor and reflect on the passion for music that CME has instilled in countless singers throughout the years.
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This work for treble voices, cello and classical guitar begins with an ostinato repetition of the title, before the entrance of the melodic theme superimposed in counterpoint with the cello melody. The texture becomes more homophonic and builds to a...
The Michigan State University Women's Chorus enthralled their audiences at the 2009 National ACDA convention in Oklahoma City with this unique setting of the beloved hymn by John Newton. It incorporates the traditional melody in its original shape...
Bring in the new year with this lovely arrangement that uses the beloved Scottish poem by Robert Burns and a tune that predates the one commonly used today. The song speaks to the value of old friends, although life circumstances (and people...
Taking its text from a 12th century monastic prayer, this setting for women's chorus is bright and uplifting and features a contemporary harmonic palette and rhythmic vitality. Duration: ca. 2:10.
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Several variants of this famous English folk ballad are incorporated into this evocative setting for women's voices. First performed by the Varsity Women's Choir of Appleton North High School, James Heiks, conductor.
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Written to honor the memory of the influential teacher of singing Dr. William McIver, this piece describes the rippling effects of a teacher's life work with word painting and resonant Biblical texts. With piano.
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A unique pairing of Latin text (taken from a bell inscription) and the percussive beats of African drumming, Carillon is full of rhythmic excitement, call-and-response singing, and relentless energy.
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Hineni is the Hebrew word which means “Here am I” and is spoken by Abraham in the book of Genesis at the sacrifice of Isaac. Contrasting a rubato instrumental section with a more straightforward vocal section, the music is always...
From Brewbaker's song cycle “birdsong,” this lovely work sets e.e. cummings' portrait of a joyful songbird to elegant, expressive music. With piano. Recorded by Brooklyn Youth Chorus, Dianne Berkun, Director.
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Based on poetry by e.e. cummings, this setting is dedicated to the composer's mother on the occasion of her 87th birthday. Masterful vocal writing and an engaging piano accompaniment evoke images both humble and grandiose, and allow choirs to...
Matching the sensuous poetry of the Song of Songs with the swirling rhythms and melodic modes of Jewish folk dances, this second movement of “Song of Songs” is as dramatic as it is virtuosic.
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A warmly romantic love song of true beauty. Tender lyricism and vocal richness make this piece a rewarding conclusion to the full “Song of Songs,” or a fine concert selection of its own. With piano.
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A gentle and sensitive poem by Emily Dickinson, evoking the wait for a love's return, is tenderly shaded by DeWald's flowing melodies and graceful harmonies. With piano and French horn (or cello).
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Choral 
